top of page
IMG_1523.jpg

Vote for XoQUE

Art with a voice

CECUT Triennale: Welcome
CECUT Triennale: Project
OP0mqxSj6wV5NzTO8c7duj6l7VTsOUEaJV4rL98JRHv0xE1x9uhEsa2tlu8pTqfgzM1EI49IVVGtuTNJ8Ac6jksD7L

CECUT Triennale de Tijuana

Jennifer Clay, Sandra Carmona, Berenice Badillo and Selina Calvo
July 26, 2024-2025
Reception July 26, 2024 at 6pm
Centro Cultural Tijuana
Paseo de los Héroes, Zona Urbana Rio Tijuana
mexicoescultura.com

“Invisible Ecologies Resisting Against Peripheral Spaces of Contradiction”

The concept of our proposal is that artists can reveal a third space of interconnectedness

that hides within two peripheral spaces of contradiction. Ecotones are areas of steep transition that exist between ecological communities, ecosystems, ecological regions and human-generated boundaries. In utilizing the metaphor of ecotones, we forge forward in

highlighting a third space that brings opportunities for healing, awareness and agency.

This participant-based exhibit highlights that third space as both sides of the border clash and evolve, changing the space between human-generated boundaries.


The use of dress forms engages beauty as a critical praxis. Dress forms stand for the lost

humanity, for the women butchered for their beauty, the earth raped of its resources and

their struggle in the constant crashing of emotions, relationships, people, history and

stories. The female dress forms lack a head to see and be seen in our societies of

misogyny. The portraits of leaves that cover the forms reclaim their voice through the

representation of the earth, of indigenous practice and of various faces; women;

transwomen; native women; and children. The dress forms are hung neck to neck

producing a mirroring effect that asks the viewer to seek self-reflection.

CECUT Triennale: Pro Gallery
bottom of page